I'm currently reading The Best American Mystery Stories 2011, edited by Harlan Coben and Otto Penzler. It purports to be a collection of the best mystery stories published in the U.S. in the past year. However, the series editor Otto Penzler seems to have a bias towards little literary magazines, and the stories appear to be mainly literary stories (the type one is forced to read in English classes) that happen to feature crime as a topic or theme. There is only one story from the Ellery Queen Mystery Magazine and none from the Alfred Hitchcock Mystery Magazine. There is one story from Strand Magazine, but all the rest are from publications that have "Review" in the title, or are University publications and the like.
The first story, "Audacious" by Brock Adams, is about a retiree who invites a runaway teen to move in with him. And she does.
The second story, "Something Pretty, Something Beautiful" by Eric Barnes, is about an older boy seducing three younger boys into a series of ever-more dangerous escapades and crimes. In the writers' notes section the author says the story is based on a place where he grew up and four friends he knew there. I hope he wasn't part of the gang he writes about.
The third story, "Clean Slate" by Lawrence Block, is about an attractive young woman picking up men for casual sex, and then killing them afterwards.
The fourth story, "Who Stole My Monkey" by David Corbett and Luis Alberto Urrea, is about zydeco bar-musician in a Cajun/Creole Texas/Mexico border town playing amateur sleuth (because he's at odds with the law) in an attempt to recover an accordion stolen from him.
The rest of the stories I haven't read yet.
This collection tries to be a successor to the old Best Detective Stories of the Year series that ran for several decades before falling victim to the economic climate of the early 1980s. The Best Detective series, edited by editors like Anthony Boucher, Allen J. Hubin, and Edward D. Hoch, was an outstanding series that attempted to present the wide panorama of the mystery genre each year, with stories as diverse as Caper stories, Suspense stories, Vigilante stories, Amateur Sleuth, Private Eye, Police Procedurals, Spy stories, Puzzle stories, Historical mysteries, Parodies, Pastiches, Dark Humor, Satire, Short Shorts, and things that defy description. That old collection was a celebration of the mystery genre. This new, "Best American" series, is a pretentious disappointment. The scope is too narrow. It is as if the Academy Awards suddenly decided to limit all nominations to little independent films and documentaries.